在一次寿宴上,郑板桥曾写过这样一幅对联,“这个婆娘不是人,九天仙女下凡尘;养的儿子都是贼,偷来蟠桃献母亲。”我们可以想像当时在场人由怒发冲冠到恍然大悟再到拍案叫绝的场面。作文也是如此,要有起伏,有曲折,有变化,如果平铺直叙。见头知尾,则索然元趣。文章的这种起伏变化,人们用了一个形象的比喻,叫做波澜。前人对波澜的重要性早有精彩的论述,如袁枚《随园诗话》中说“文似看山不喜平”。林纾 In a birthday party, Zheng Banqiao once wrote such a couplet. “This is not a human, and the nine-day fairies are under the mundane world; the sons who are raised are all thief and stole the peaches and offer their mothers.” We can imagine the crowd at the time rushing to the bottom of the eye Then to the scene of extortion. The same is true of composition. There must be ups and downs, twists and turns, and changes. If it is straightforward to describe. When you see the end of the book, it is just a matter of fun. With this ups and downs of the article, people used a figurative metaphor called a wave. His predecessors had long discussed the importance of the waves, such as Yuan Mei’s “Sui Shi Shi Hua,” in which he said that “the text looks like a mountain is not happy.” Lin Hao