建筑应如文化一样,是一件“成瘾的奢侈品”(Saint John Perse)。如果可以,我愿意选择一个“成瘾”的世界,一个可以质疑万事万物的世界,一个由不可预知、散乱、不服从的事物所主宰的世界。正因如此,我关注项目本身和委托人的目标和意愿,之后对其做出多种阐释。那些优先于我在项目中的审美取向的项目分析、所有权和变形等,激励着我的创作策略。这也是我的项目与众不同的原因所在。 The building should be as cultural as “Saint John Perse.” If I could, I would prefer to choose an “addicted” world, a world that can question everything, an world dominated by unpredictable, scattered, disobedient things. For this reason, I focus on the goals and wishes of the project itself and the client, and then make a variety of explanations for it. Project analysis, ownership, and variation, which take precedence over my aesthetic orientation in the project, motivate my creative strategy. This is why my project is different.