观察陈维不同时期作品中不断生长的同构现象是一件有趣的事。这些作品的表现形式在变化,可是背后的工作逻辑一脉相承。为拍摄照片精心搭建场景是陈维的重要创作手段之一,他的摄影作品呈现出非凡的仪式感,令人觉得画面中的灰尘也是经安排落才在特定地方。这些照片早期以中景居多,大体类似人眼的视角,比如拍摄一个房间时,画面一般囊括三面墙和与之垂直的地面。后来他将镜头渐渐聚焦在局部的细节和物件上,比如一把“穿”着旧T恤的折叠椅靠着斑驳的墙,让一顶灰扑扑的帽子停在长着 It is interesting to observe the growing isomorphism of Chen Wei’s works in different periods. The manifestations of these works are changing, but the logic of the work behind them goes hand in hand. Carefully setting up the scene for taking pictures is one of the important creative methods of Chen Wei. His photography shows an extraordinary ritual feeling, which makes people feel that the dust in the picture is also arranged in a specific place. Early in the middle of these pictures, mostly similar to the human eye perspective, such as shooting a room, the picture usually includes three walls and the vertical ground. He later focused his shots on local details and objects, such as an “old” T-shirt folding chair leaning against a mottled wall and a gray fluttering hat resting on a long