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在中国文学发展史上,建安文学以其崭新的面目、爽朗的风骨备受后人瞩目。当时,“魏武(曹操)以相王之尊,雅爱诗篇;文帝(曹丕)以副君之重,妙善辞赋;陈思(曹植)以公子之豪,下笔琳琅;并体貌英逸,故俊才云蒸”(刘勰《文心雕龙·时序》)。于是,原本流落各地的文人如孔融、陈琳、王粲、徐斡、应玚、刘桢、阮瑀等都纷纷投奔曹操,先后来到邺城(今河北临漳县),在曹氏父子周围形成了一个创作团体,世称邺下文人集团。他们或于戎马倥偬之间,横槊赋诗;或于游宴登临之余,酬酢唱和,从而使文学创作呈现出彬彬之盛的局面。
In the history of the development of Chinese literature, Jian’an literature attracts future generations attention with its brand-new appearance and hearty style. At that time, “Wei Wu (Cao Cao) to the king of the statue, Ya Love Psalm; Wen Di (Cao Pi) to sub-king of the heavy, Miao Shanfu Fu; Chen Sizao (Cao Zhi) son of prince, pen beauty; Cloud steamed ”(Liu Xie“ Wen Xin Diao Long sequence ”). As a result, all the literati who had been scattered all over the country, such as Kong Rong, Chen Lin, Wang Wei, Xu Wei, Ying Ying, Liu Zhen and Ruan Xiu, all went to Cao Cao and went to Yuncheng (now Linzhang County, Hebei Province) Father and son formed a creative community around, the world said the next group of literati. They are either in the middle of the battlefield, poetry or poetry; or at the banquet board, singing and singing, so that literary creation presents a perfect situation.