谢尔盖·普罗科菲耶夫虽然是二十世纪俄国乃至世界上最伟大的音乐家之一。他的作品却常常被贴上“怪诞”的标签。然而,在他的作品中,我们很难找到真正具有悲剧性的东西,即使象《罗米欧与朱丽叶》这样的悲剧题材也不例外。因为在他的性格中充满了一种孩子般幻想的童真,从他富有音乐天赋的童年时代开始,他的作品就不循规蹈矩,那些“戏谑的”,“玩世不恭的”的戏剧冲突,常常表现出一种孩子般的任性。他在儿童时期就有大量的创作,长大后,仍然创作了大量适合孩子们 Although Sergey Prokofiev is one of the greatest musicians in Russia and in the world in the twentieth century. His work is often labeled “weird”. However, in his works, it is very hard for us to find something truly tragic, even though the tragic themes like “Romeo and Juliet” are no exception. Because of his character is full of a child-like fantasy innocence, from his musical rich childhood, his works are not behave, those “jesting” and “cynical” dramatic conflicts often show A childlike waywardness. He had a lot of writing in childhood, and when he grew up, he still created a lot of suitable kids