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话剧自被引入中国起,现实主义便始终成为其主流话语方式。然而经过一段时间的思索与审视,我们逐渐发现对于现实主义的理解并不如预期的正确,甚至出现了误读。致使此后很长一段时间的话剧创作呈现“文艺为政治服务”的不良倾向。现实主义不代表形式拘谨、手法陈旧,其价值在于以质朴的情感真实再现和表达当下社会,关注人的生活境遇和精神状态。当代现实主义话剧创作软弱无骨,皆因其没有充分发挥好引领功能。关注人、引领人才是话剧的立身之本。
Since the introduction of drama into China, realism has always become its mainstream discourse. However, after some time of thinking and examining, we gradually found that the understanding of realism is not as correct as expected, and even misunderstood. Resulting in a long period of drama after this show “literature and art as a political service ” undesirable tendencies. Realism does not mean formal cautiousness, outdated practices, its value lies in the true feelings of simplicity to reproduce and express the current society, concerned about people’s life situation and mental state. Contemporary realism drama is weak and weak, because it did not give full play to lead the function. Concerned people, leading talent is the embodiment of drama.