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在近代诗坛上 ,黄遵宪的“新派诗”逐渐突破诗言志、比兴、温柔敦厚的传统诗教 ,在诗歌的主题内容、审美意蕴、表现方法、语言形式等方面出现了新的特点。这些新变虽然不够彻底 ,带有过渡性质 ,但已是解构旧诗的有效尝试。
In modern poetry circles, Huang Zunxian’s “New School Poems” gradually broke through the poetic ambition, the more prosperous and gentle traditional poetic teaching, which brought new features in the theme content, aesthetic implication, expression method and language form of poetry. Although these new changes are not thorough enough and have a transitional nature, they have been an effective attempt to deconstruct old poems.