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关于写作规律问题 ,早在古代文论家那里已作过一些可贵的探索。但作为一个理论问题提出 ,则是 80年代初期正式有了写作学科以后的事。2 0年间 ,关于写作规律的表述 ,大致经历了三个阶段。从一个阶段转入另一个阶段 ,反映出认识的延伸和理论思维的递进。然而现有的诸多表述模式仍然有其缺陷。归纳写作规律时 ,应突出理论上的包容性 ,表述上的简明性 ,操作中的示导性。根据这一思路 ,写作规律应概括为三条 :一是意化律 ,二是序化律 ,三是形化律。“三律”概括了“意”的生成、序化和完形 ,反映了文章的动因、演进及取向 ,具有理论的涵盖性和实践的可行性。抓住意化、序化、形化 ,就等于抓住了写作的总体纲领。
On the law of writing, as early as ancient literary theorists have made some valuable exploration. But put forward as a theoretical question, it was after the formal writing discipline in the early 1980s. During the 20 years, the formulation of the law of writing has gone through roughly three stages. From one stage to another stage, reflecting the extension of understanding and progressive thinking of the theory. However, many existing modes of expression still have their drawbacks. To summarize the writing rules, we should highlight the theoretical inclusiveness, the conciseness of the expression and the guidance in the operation. According to this train of thought, the law of writing should be summarized as three: one is the law, the other is the sequence of laws, the third is the law of shape. The “Three Laws” summarizes the formation, sequence and shape of “meaning”, which reflects the motivation, evolution and orientation of the article, and has the theoretical coverage and practicability. To seize the meaning, order, shape, is equivalent to grasp the overall program of writing.