现当代作家笔下的婚姻围城呈现出迥异的态势,如果对老舍的《离婚》、张洁的《方舟》以及九十年代以来的一系列离婚题材小说进行解析,可以发现婚姻经历了从不可承受之“重”到当代的不可承受之“轻”这一轨迹,婚姻从负载太多沉重的枷锁到摆脱束缚之后的狂喜轻飘,从中折射出人们对于婚姻伦理的探索和追问。 The marriages of modern writers present different gestures. If we analyze Lao She’s “divorce”, Zhang Jie’s “ark” and a series of divorced theme novels since the 1990s, we can find that marriage has never been sustainable “Heavy ” to the current unbearable “light ” of this trajectory, the marriage from too heavy a burden to the liberation of the ecstatic after liberation, which reflects the people for the exploration and questioning of marriage ethics.