运用阿恩海姆的视觉动力理论,从倾斜、变形、画面频闪运动效果产生视觉动力等三个方面入手分析,可以看到莫言的《蛙》极具画面的视觉动力。《蛙》的画面视觉动力不仅提升了作品审美对象的形式美感,使作品的画面有一种气力的流动感、画面的紧张感,更重要的是通过它有力地表达了意义。 Using Arnheim’s theory of visual motivation, we analyze the three aspects of tilting, deformation, and visual stroboscopic effect, and we can see Mo Yan’s “Frog” has a great visual power. The visual motivation of the frog not only enhances the formal aesthetic feeling of the aesthetic object of the work, but also makes the work’s picture have a sense of force and fluidity, the nervousness of the picture, and more importantly, the meaning is strongly expressed through it.