第五届“影像中国”全国摄影艺术大奖赛已经落下惟幕,其获奖作品也已全部刊登在我刊的第3期杂志上。纵观获奖作品不难发现组照、单片异彩纷呈,各占有一定的比例,而在来稿中我们却发现组照的比重呈现逐年上升趋势。在许多摄影人的头脑中存在着这样一种浅意识——似乎组照比单幅作品容易获奖。事实是否真的如此呢?我刊特邀了摄影教育家韩子善教授就第五届“影像中国”参赛作品的组照增加现象进行了一番评说。虽是一家之言,却愿闻者有所获益,被点评的作品,我刊并无褒贬之意,只因其具有典型性而已。 The 5th China Video China National Photography Arts Grand Prix has been completed and its winning entries have been published in the 3rd issue of my journal. Throughout the award-winning works is not difficult to find group photos, monolithic colorful, each occupy a certain percentage, but in the contribution we found that the proportion of group photos showed an upward trend year by year. There is such a shallow consciousness in the minds of many photographers - it seems that group photos are easier to win than single-piece creations. Is this really the case? I’ve invited Professor Han Zishan, a photographic educator, to comment on the increase in the grouping of the Fifth China Imaging Video Contest. Although it is a family of words, but I hope those who have benefited from the work being commented, I did not praise and praise, simply because it is typical.