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本文关注的是美国百老汇著名音乐剧《Q大道》的中文版版本,从该剧真人与木偶同台演出、一人扮演多角的特点出发,探讨音乐剧歌唱音色在音乐剧表演中的重要作用。首先,从七个演员扮演十三个人物出发,探讨演员如何通过调整声腔音色来展现不同的角色性格,尤其是同一个演员扮演不同角色的戏剧冲突。其次,关注音乐剧中大量的重唱片段,强调在重唱之中声腔音色作为戏剧人物标签的重要性及实现方式。最后,对于一人多角的木偶剧进行进一步思考,探求这种形式对于当代社会的隐喻,并再次强调21世纪音乐戏剧中多元声腔音色观念的重要价值。
This article focuses on the Chinese version of the famous Broadway musical “Q Avenue” in the United States. From the same live-action show with puppets on the same stage, one person plays the role of multi-angle to discuss the important role of musical singing voice in musical performances. First of all, starting from the seven actors playing thirteen characters, we explore how the actors show different characters by adjusting the sound of the sound chamber, especially the drama conflict that the same actor plays different roles. Secondly, I pay attention to a large number of pieces of the choir in the musical, emphasizing the importance and realization of acoustical voices as the label of the drama characters in the choruses. Finally, further exploration of a multi-angle puppet show explores the metaphor of this form for contemporary society and emphasizes again the important value of the multi-dimensional sound concept in musical theater in the 21st century.